Current State Report and Writing Excuses 13.02

Things are going to be a little different this week. Between the holiday, some bad sleep, more stress at work, and bad timing, I haven’t gotten all the writing work done I wanted to. I have gotten the book work done I needed to, but not the blogging. So, you get one this week. Maybe two if I’m able to finish up some stuff.

Current State

I’m 25% complete with the current revision of my novel Betrayed. That is the part of writing that has been going well. I also got back a response from a beta reader which pumped up my enthusiasm a lot. So, I’m quite hopeful that the book will be in the right shape for querying agents when I’m all through with it this round.

Once I get to 50%, I’ll start really working on the pre-writing for my next novel. Which means between now and then, I need to do some research on pets and AIs. Fun stuff.

In physical tool updates, I ADORE my new keyboard. I’ll be trying to get some questions addressed that folks have asked, so please be patient. But my hand pain is completely gone, and I’ve been pushing pretty hard the last few days. So, it was expensive, but so far, worth it.

Last, today marks the start of a new habit forming session which I’m doing with my youth at church and with my writing group. My young men wanted to learn about how habits work and so last night was a chance to explore habits, and the result was me realizing that my recent writing approach has been killing my sleep pattern. I needed to make a change.

So the new goal is sleep early, up early, with my writing spread throughout the day, rather than all writing done in a rush at night. Day 1 feels pretty good so far.

My Reflections on Writing Excuses 13.02 – Writing Active Characters

This week, the hosts looked at writing active characters and first reaction out of the box for me: “Holy cow! New Chicago team!”

Yes, it looks like the crew changed up this season. I’m sure if I followed the podcasters on anything more than just the podcast I would have seen this coming, but it was surprising to me. It makes a lot of sense. What a great way to keep things fresh. It’s too bad in one regard, because I really liked the old Chicago crew. Looking forward to getting to know the new folks!

Episode Rating: šŸŒŸ šŸŒŸ šŸŒŸ

Humor: šŸŒŸ

Usefulness to me right now: šŸŒŸ šŸŒŸ šŸŒŸ

So, perhaps it’s because I’m in the middle of revisions rather than drafting, but this doesn’t feel quite as useful to me at the moment. For a passive character, Brandon gave the example of having someone who always stands around and watches important events rather than being in them.

Current project – not an issue.

Book I just finished in November ? Might be an issue. So, not as useful at the moment, but it may be something I’ll need to address in future stories. I might have that tendency.

Overall, though, a good episode, though because of the new team who haven’t answered this question previously, the answers seemed at surface level. I hope they find their legs as the season goes and give good, meaty advice. Good enough for the very early writer, but I think they can all dig a bit deeper.

Something that didn’t get covered during the episode: my personal belief is that inactive characters are a warning sign/diagnosis criteria of plot problems. If your character isn’t interacting well with the events of the story, you might be telling the wrong story.

And I don’t necessarily mean redoing the story so your main character is at the center of events.

Maybe you have a seemingly passive character observing an action/adventure story, but rather than re-plot the action story, you need to be telling the coming of age story inside that adventure, of someone wistfully longing to be bigger or better than they are.

Or you have a relationship story where the a seemingly passive character can’t talk to the object of their affections. So maybe try telling the growth story inside of that problem.

In reality, this is just another variation on Mary’s favorite tool, the MICE quotient, with a story nested inside another story. It’s great because it allows you to have layers that might not come up in a straightforward tale. And it can let you keep what you’ve already worked and tweak it rather than starting over from scratch.

So, if you do find your characters being too passive, take a look at how to fix. It may be just a change of paradigm.

K, I think I’m going to call it there for the week.

I really enjoy the comments that I’ve been getting. Many thanks to those who have been reaching out. And with how busy the week has been, I’ll be responding to a couple of previous questions later this week, so hang in there.

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